Dr No (1962)

Here’s the latest from The Magnificent 60s

Minus the gadgets and the more outlandish plots, the James Bond formula in embryo. With two of the greatest entrances in movie history – and a third if you count the creepy presence of Dr No himself at the beds of his captives – all the main supporting characters in place except Q, plenty of sex and action, plus the credit sequence and the theme tune, this is the spy genre reinvented.

Most previous espionage pictures usually involved a character quickly out of their depth or an innocent caught up in nefarious shenanigans, not a man close to a semi-thug, totally in command, automatically suspicious, and happy to knock off anyone who gets in his way, in fact given government clearance to commit murder should the occasion arise….

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