Pressure Point (1962)

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Central to this under-rated tale of psychopathy and racism is one extraordinary scene, possibly the most exceptional bar-room sequence ever filmed. In the annals of imaginative repulsion, it ranks alongside the rape committed by Alex and his “droogs” in Stanley Kubrick’s A Clockwork Orange (1971). It begins with mere intimidation as an unnamed young man (Bobby Darin) begins to etch into a bar-counter the lines and symbols of Tic-Tac-Toe (aka Knots & Crosses or Noughts and Crosses). Discovering tins of paint, the man and his gang proceed to cover the entire bar – floor, walls, ceiling, even tables – with the same symbols….

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