Here’s the latest from The Magnificent 60s
You could argue that grandiose ambition sucked the life out of Francis Ford Coppola. That if he had continued along the more intimate trajectory suggested here there might have been a more consistent output, perhaps on an even higher plane. Even if grounded in American life, this has a distinct European sensibility and while you won’t find a single memorable image you will definitely find characters of substantial depth drowning in agonizing circumstance.
That’s not to say you won’t find outstanding sequences. I defy you to find a more cruel and character-defining scene than the one where our heroine Natalie (Shirley Knight), running away from the chains of domesticity, takes dominance to a new extreme by demanding that muscular ex-college footballer Jimmy (James Caan) crawl round on the floor beneath her feet…
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