The Tourist series two sees Elliot (Jamie Dornan) and Helen (Danielle Macdonald) travel to Ireland to find answers about Elliot’s identity, but instead they are forced to face the dangerous consequences of his past actions.
Interview with Harry and Jack Williams – Writers & Executive Producers
The first series was the most watched drama of 2022. What were the challenges and opportunities of writing the second series?
Jack: Writing a second series is always hard and when we wrote the first series, we weren’t planning on a second series.
Harry: It was only when we asked ourselves, what does a second series look like that we realised there’s an interesting question at the heart of a second series. Which is, Elliot now knows he’s done this awful thing – what does carrying that around look like? Can you forget something as massive as that? And how does that affect his relationship? The first one was always supposed to be a love story, and this sort of continues in that vein.
How did the themes of the story for series two come about?
Jack: The idea for season two started with the characters. We talked about what we loved about writing and making the first series, and what we enjoyed as both viewers and writers. For us, that’s the relationship between Jamie Dornan’s character and Danielle MacDonald’s character. The thing we wanted to write about was “what does that look like if it continued?” With the revelations at the end of series one, can you continue a relationship with something like that? Can you look past the past?
Harry: Additionally, we wanted to move it to a different country because we felt we had done Australia and none of Elliot’s history is from there. In series two we are asking where did he come from?
What were your ambitions for series two?
Harry: The ambitions were to continue what we did with series one, which was to strike a balance between the comedy, thriller, emotive elements of the drama. So, for series two we have dialled it up a bit as we know Jamie and Danielle can handle the balance so well.
What did you want to achieve with the look and feel of this series?
Jack: Visually, series one was very distinct: we loved the way it looked and felt, our director [Chris Sweeney] did such a good job, and while obviously we wanted it to have a lot in common with that, it is a new country, it’s a new story. The Australian outback is very different from the very green and rainy country that is Ireland. So, we’ve been trying to take what we did in season one and keep that very cinematic feel, getting some big wide landscape shots and finding a sensibility that works for series two.
What sort of Elliot do we see in this series?
Jack: After the events of series one we left Elliot in a state of complete despair. Elliot was on his deathbed, and he gets that message from Helen. So, when we pick up in season two, we find him in a relationship, and he is trying to move on and enjoy his life, but he is about to find out across the series that you can’t leave things behind that easily. And more importantly can Helen forget his past and accept this new version of him?
What is it about Helen and Elliot’s dynamic that you wanted to develop in a new series?
Harry: I think there’s a really unexpected romance in the first series, where Helen is so naive and just such a good person. In the first series, she was pretty much the only nice character. So having Helen with this deeply flawed man Elliot, who is trying to change, and watching their chemistry throughout was endearing. It is something we wanted to see more of and exploring their relationship was exciting.
Tell us a bit more about the new characters and what they bring to the story.
Harry: There is Ruairi Slater who’s the local Garda, and a little bit like the Helen of series one. He is a new cop character who comes in, but has also got his own story, his own mystery, and is a new flavour that plays into this story of him and Helen. Ruairi instantly likes the look of Helen, and their story gets kind of weird.
Jack: There’s also the McDonnell family. They’re a very important element to this series. We’ve got Frank, who’s the sort of patriarch of the McDonnells,. He’s a slightly sinister, history-obsessed man who believes in the value of knowing your past and where you come from. We also have Frank’s children Donal, Orla and Fergal. We find that the McDonnell clan clearly have some kind of agenda with Elliot, as he’s kidnapped by them in episode one. We don’t know what it is, but he’s done something to seriously upset them. Elliot of course has no memory of it, and that kicks off the events of the second series. On the other side there is the Cassidys where we have Niamh, who is this wild unpredictable, and slightly feral woman.
What should audiences expect from series two?
Jack: Audiences should expect the same show they enjoyed in series one. The story does continue, but it’s also its own new and unique journey. There’s more of the thrills, surprises, and offbeat characters. Everything in this series is dialled-up to 11, with a bit more of everything thrown in; hopefully it’s more thrilling, and hopefully funnier.
Please can you sum up series two in one or two sentences?
Jack and Harry: It’s surprising, funny, Irish, exciting, and offbeat.
Jamie Dornan – Elliot Stanley and Executive Producer
Tell us about your character’s journey from series 1?
I play a man of many identities. In the beginning of the first series, Elliot finds himself in Australia and after a long car chase with a truck, Elliot gets hit off the road and has an accident, waking up with no memory of who he is. A couple of people help Elliot piece things together and try to find answers which essentially leads him to some very dark places. For the second series we pick up with Elliot in Ireland where he tries to discover his real family and get some answers on who he is. Whilst Elliot is in Ireland, he also gets caught up in all kinds of craziness with people trying to kill him.
What were you expecting from the second and what made you want to continue the project?
You are always hoping to find an audience that is sort of willing and hungry. We were only ever meant to have the one series; I remember Jack and Harry Williams who created the show saying it will just be one. I don’t think we expected it to be the most watched show in the UK that year and when there’s that much of an appetite, it felt like the right thing to give people more. With it being so successful there’s also a lot of pressure on the second series. You want to get it right and it’s a very different setting. For the second we are in Ireland, which has a very different vibe. It’s tricky trying to establish the different settings and make it its own thing but also honour what people loved about the first series. I was excited by it, it’s an exciting thing to continue the journey. Selfishly for me, not having to uproot my entire family again was quite a good thing.
What would you say are the central themes of this series?
Family is a big theme in this series. We’re dealing with a guy who has no concept of who he is, and you can only imagine how terrifying that is, but little by little there are these kernels of information revealed to him and he starts to piece his history together and his family history. It’s not that pretty, but it’s vital and it’s a big part of our story.
So family is a major theme. Love is a big theme too. We begin the second series with the two of them together and their love, trust, and support for each other is very crucial to the journey that they go on.
How does Elliot’s self-discovery journey progress in the series and what challenges does he face?
He finds out a lot more about himself now that he’s back in Ireland; the land that he’s from. There’s a lot of big discoveries about who he is and who his family are. Elliot finds out a lot about the sort of shenanigans that his family have been involved in and the implications that’s had on his life. He doesn’t understand what’s going on because he doesn’t have any recollection of why these people know him, as it’s all from his life pre-accident.
You are an executive producer in series two, how has the experience been?
It’s been great. It was one of those opportunities that presented itself to me and I was excited to do it. It’s also nice to do it in a capacity where I already have the relationship with everyone involved and to come into this realm having already committed so much to the project. It’s been nice to have a bit more say over the creative aspects of the show and it’s something I’m proud of.
What has been your favourite scene to film so far and why?
I’ve just loved filming with Danielle Macdonald. We have an incredibly close bond. We had a strong bond filming the first series, but it’s really blossomed more in the second series because we’ve had a lot more scenes together. We just trust each other so much. Anytime we have big scenes together in the series we know we’re going to be approaching it the same way and on the same frequency, so having that with Danielle has been class. I’ve also loved working with Mark McKenna who plays Fergal in this; we’ve had a couple of poignant scenes. There’s one in the forest early on when I had a lot of energy in the second week of filming, and when I look back on all the filming I did with him, I look back at it very fondly.
There is a lot of dark humour embedded throughout series one – how do you balance that with the thriller narrative?
There is this constant balance between the comedy and the very dark or emotional nature of what is happening in the scenes. A gag might be thrown into a scene, and it can be discombobulating. I think it’s been helpful that we’ve done an entire series of it already so, I’m comfortable with it. I love it and I love the way Harry and Jack write. I would say it’s all about getting comfortable with the way the scenes play out. I think it is why people responded to it the way they did. It’s not just a linear way of telling stories, there is always an element of playing with multiple genres.
There are some incredible stunts in The Tourist, what was the most challenging to shoot?
I had to hang off a cliff for a long time. I was harnessed but you couldn’t really see it and the whole point of the scene is that I’m hanging there for a comically long period of time. So, this does mean to film it, I really was hanging there for a long time, and I have a dodgy shoulder which really paid the price for hanging there for a whole morning. That was the most tricky and annoying scene to shoot because I’m an old man and my shoulders don’t work.
What do you hope viewers will take away from The Tourist?
I hope they enjoy it as much as the first. We are offering up something a bit different purely by geography. I feel like the colour of the Outback, the scale of it and fear was a major character in the first series. We’ve taken that away this time and we have suddenly gone from the orangey dirt of the Outback to the lush green settings of Ireland. Particularly with the first episode, it’s like a Tourism Ireland advert. It’s different and I hope that people are on board with that and get the same sort of satisfaction as they did from the first series. The humour is all there, and the story is as mad as the first series.
What do you think about series two will appeal to international audiences?
I find, having left Ireland 22 years ago and travelled pretty much everywhere since, there’s a real intrigue with Ireland. People are just fascinated by Ireland, and I feel like everybody sort of has a bit of a love for the place and the people. Usually if they’ve been here, they think of it and speak of it very fondly. So hopefully that’s a big appeal, we’re showcasing Ireland in a big way with loads of Irish talent and some very funny Irish people.
What do you think makes Jack and Harry’s writing so unique and exciting for actors?
They’re just bonkers and I can tell which is a Jack line and which is a Harry line. They do write separately and together. It’s a strange way they do it, but it’s totally their own thing and it’s unique and they’ve managed to do that over the years. They also have a very strong identity when they write and that shows how involved they are in the show. Their writing is very unique, I sometimes think it takes a minute to get into the rhythm of how they write. Luckily, I’ve had a lot of time to do that because I’ve got a series under my belt. But it’s interesting watching other actors come in and try to sort of work out that rhythm too. It’s totally its own thing and I don’t think anyone plays with genre as sharply as Jack and Harry do. It’s a lot of fun to play with on set.
How does it feel to bring the show home to Ireland?
It’s amazing. The first day of shooting we were in Kilpedder in Wicklow, and I was walking through the trees and the worst rain I think I’ve ever seen came in and I thought, this is what it’s like to film in Ireland. I had sort of forgotten it being three or four years since I filmed here but Ireland is beautiful. I’ve been to parts of Ireland that I’d never been to before. We predominantly filmed in Dublin and Wicklow, but we’ve managed to travel a little bit outside of there and got to showcase what a beautiful place Ireland is. Working with an Irish crew having the same sort of sense of humour has been great. It’s been a dream to shoot here.
Danielle Macdonald – Helen Chambers
What Helen’s been up to since we last saw her?
Helen has left Australia and gone to Ireland with her boyfriend, to try and figure out a little bit more of who he is.
Series two introduces a wealth of new quirky characters. What new dynamics do they bring?
We’ve got two feuding Irish families that our characters get entangled in. As a result, there’s a lot of quirky characters within that, which has been fun to play with. I think I came on set and all of a sudden nothing was familiar. I was with completely new actors, directors, and creatives. It was really interesting to throw Helen into that world and see how she reacts; it has been fun.
What do you think makes The Tourist so appealing to viewers and what can viewers expect from series two?
I’m excited that it resonated with audiences. I think The Tourist is unique and it is in its own kind of genre. It’s got some darkness in there but it’s also quite funny at times. It also has lots of quirky characters. The locations really become a character in the series, and you’ll find Ireland is a big part of series two which will draw people in.
What were you expecting from the scripts for series two?
I had no idea what to expect for season two. I just love the writers and I had an amazing time with them. I think that they have such an interesting way of writing; it’s so quirky and grabs you in. So, when they said they had an idea for season two I said yes before I even knew what it was. Mainly because I wanted to work with them again and we had such an amazing time filming season one. I also love working with Jamie, so I was in straight away.
Can you tell us what challenges Helen’s faced with this series?
Helen has come a long way. She started out as this character that has a very strong moral compass but was in a very toxic and abusive relationship. She then went through a lot of crazy stuff and found her own voice and confidence. Season two really leans into that, her discovering herself further. She’s still Helen, but she’s also a bit more confident, a bit stronger, and a bit more vocal in certain ways which has been interesting and fun to play with.
What’s your favourite scene to film and why?
There was a scene I was filming with Jamie, and we’d had a long day. We had some emotional scenes, and we were shooting out of order. So, at the very last scene of the day, we were in a car and had to sit in there and talk. I had a monologue about sausages, and we both just lost it. We just could not stop laughing for about seven minutes straight, to a point of hysterics. We could not keep it together. Luckily, we got through it in the end.
How do you think her relationship with Elliot will be received?
Helen was in an emotionally abusive relationship with Ethan and that resonated with audiences a lot more than I even realised it would. Her relationship with Elliot is different because he accepts her for who she is. He’s very open, loving, and kind with her. Whilst he is discovering himself, he’s also discovering love, which is interesting, because he’s got this whole new, fresh start. But I do think about the fact that he did at one point essentially kidnap her in season one. Not a great start to a relationship but it did end well. Overall, we discover a lot about Elliot and Helen and their relationship and that will be interesting for people to follow and make their own judgement on.
How does The Tourist differ to your other projects that you’ve recently worked on?
You will always get different experiences. I think season one of The Tourist was one of those times where we’d all been in lockdown for a year, and then we flew to Australia to shoot the show in the Outback. Everyone was in a tiny little town at the same pub every night and so it was one of those experiences where everyone was family instantly. It was beautiful and it was something we all needed after being locked up for a year. This is also the first time I’ve brought back a character; I haven’t ever done a continuous show before. So, it has been a completely different experience for me, and I think that is probably the biggest difference between any other project I’ve done.
What do you think will appeal to international audiences about series two?
It’s about two families who are at war with each other. I think that is something that can be related to in almost any culture and will have a lot of appeal. The series is also about relationships and figuring out who you are. These are themes that everyone encounters no matter who you are or where you’re from. I think that it’ll appeal in that way too. On top of that, the series is quirky, Irish and a little bit Australian. It will keep you on the edge of your seat, but also make you laugh. You’ve got a little something in there for everyone.
What do you think makes Jack and Harry Williams’ writing so special?
Jack and Harry have a unique writing style. You never know where their writing is going to take you or where it’s going to lead to. They’ve got a lot of little “Jack and Harry-isms” in the scripts too which are fun. I think they write because they love the stories, and they don’t force it. They have so much fun in their writing that we have fun on set acting it out. I don’t think it always feels that way, but it’s one of those projects where you feel the fun and you feel the creativity and you can have a voice and have a say. It’s never taken too seriously in the right way too, and it’s been fun getting to work with them.
What has been your favourite location to film and why?
My favourite location was where we filmed by a lighthouse in Wicklow, on Wicklow Beach. There were three lighthouses there, and I couldn’t figure out why there were three. I then found out one was built and couldn’t be seen by the ocean, so then they built another one and accidentally did the same thing. So, then they built a third, which I just thought was hilarious. There were also wild horses running around set. It was just so stunningly beautiful.
Conor MacNeill – Detective Ruairi Slater
Tell us about the character of Detective Ruairi Slater?
Ruairi is a detective who meets Helen very early on in the series and becomes sort of embroiled in the investigation of these two warring families that Elliot Stanley is also very much involved in. I think Helen reminds him of someone and he has a real affinity with her very quickly.
What’s it been like playing a detective in the series?
I don’t know if I’m playing just any detective. Ruairi’s very particular, and Harry and Jack write such a specific world as well that it’s kind of slightly heightened in the reality of day-to-day detective life. But I think he’s maybe not the best at his job. And he certainly likes bending the rules a little bit. It’s really good fun to play that and I think he’s always just a little bit out of his depth. So, it’s been fun.
Can you tell us about filming in Dublin and what has it been like?
It’s been amazing. We’ve landed really lucky this year in that the weather’s been mostly good as well, so we’ve been outdoors a lot which has been good. Irish crews are the best crews in the world. It’s been a lot of fun. It’s an incredibly chilled set. I love shooting in Ireland. It’s the best and our scenery is unbelievable. Being near the sea is great as well.
Why did you want to be involved in this project?
Two Brothers are producing some of the best TV at the minute, so it was a no brainer to join the cast. Their writing is so good, it’s incredibly clever, it’s really grounded and deep, yet very witty and funny, and has a slight surrealism, so it’s a dream to play. I am a massive Danielle Macdonald fan, I’m a massive Jamie Dornan fan, so to get to work with those guys is exciting. The first season of the show was so good, it was so captivating, I love a thriller, I love a mystery, so it was quite exciting to be part of it.
What has it been like working alongside the rest of the cast?
Unreal. Danielle Macdonald is a genius. There’s so much truthfulness and honesty in her acting and yet is incredibly technical with her comedy. Her skills are unreal, so it’s like going to school nearly every day watching her. I’ve worked with Jamie before, I think it’s our fifth time working together and I love acting with him, he’s one of my favourite actors to work with. The rest of the cast is unbelievable, Olwen’s a genius, I’m a huge fan of Olwen’s; Francis, you know, he’s an incredibly skilled actor. Everyone’s so sound and very funny and warm, so it’s a really enjoyable group of people to hang out with, off set as well.
What makes Jack and Harry’s writing so special?
Their writing is genuinely incredibly unique because it’s very real, it’s very grounded and yet it has this really kind of offbeat humour underneath it all which is just a joy to play. Every episode goes somewhere unexpected, and I can never quite see where the characters are going, and that’s rare. It’s incredibly unpredictable in an exciting way. And I think they have a gorgeous empathy that they’re writing for all the characters as well, even the ones that we might instinctively not like that much. They have a great skill at drawing empathy and having an understanding even if you don’t agree with the characters choices which is a real skill.
Can you please sum up the series in one sentence?
I think it’s an incredible mystery thriller with a huge comic and joyful heart.
Olwen Fouéré – Niamh Cassidy
Please can you introduce your character and tell us a bit about them?
Niamh Cassidy is a very intriguing and enigmatic character. You never quite know what she’s thinking. It’s not exactly that there’s a performative element to her but Niamh is so used to living and operating in a way that you never know whether what she is saying is the truth.
Were you familiar with series one?
What struck me about series one and what I loved was the style of it. I also loved the use of the Outback environment in Australia, which in series one is so beautiful. I felt it was incredibly well-written too. After I watched it, I discovered that Harry and Jack Williams wrote all of the episodes. That makes a big difference to the cohesion of a series, rather than having other writers coming in. I really like the style of it all, I would say that Harry and Jack are the European versions of the Coen brothers.
What do you think are the central themes in the series?
I think the central themes in the series are feuding families. Family is quite important for series two. Viewers will be asking ‘what are the connections?’ ‘Why have these feuds happened?’ and it’s really a quest for answers to this generational feud. The dysfunctions within families, the digging for truth and working out who is lying. There is a lot of intrigue in series two. There are a few interesting reveals in this season which come more towards the end and they’re very enlightening in terms of the enduring aspects of old family wars.
How does your character compare to past characters you have played?
Niamh compared to my previous roles has a lot more going on that you don’t see. I’ve had four and a half decades of playing roles in theatre, and about a decade of playing roles on screen. I would say in terms of the screen roles, most of the characters I’ve played have been quite primally driven and not duplicitous. Niamh is both complex and duplicitous out of necessity and it can be hard to get your head around. I feel like I know her well, but she is a tricky, complex character. I find her quite straightforward in ways, but the choices are always there to keep that ambiguity about what’s really going on and not show too much sometimes.
Are there ways you could relate to your character?
Totally, Niamh has this killer and survival instinct which I can relate to. But there is also this element where there’s a lot of emphasis on family, you don’t quite know what Niamh’s relationship is with her past and her family. So, I enjoyed the challenge of presenting this and how she maintains that kind of ambiguity. It is quite complex in that way and appealing.
What were your favourite scenes?
Ordinarily I’m not a big fan of long dialogue scenes but on this project I kind of loved it and the challenge of them. There was a scene I filmed with Danielle Macdonald where we were both sitting across from each other having this back and forth. There was also a scene I had with Jamie where we had quite a long difficult dialogue scene, and we were in this horrible house. It was dark and full of ghosts, and there was a lot going on under the scene, so that was quite tricky. I like the scenes that are kind of like showdowns so, luckily, I had a few of them.
What was it like working alongside such great cast?
It has been lovely, it really has. I knew Jamie and Danielle’s characters from watching season one and I was just overjoyed knowing that I would be working with them. There is also Conor MacNeill who I just think is amazing. Unfortunately, we only had one tiny scene together. Overall, everyone had been beautiful to work with the directors, crew, everybody. It has been lovely to come in and do the work.
As an actor, what do you think makes Jack and Harry’s writing so unique and exciting?
I think their writing has got a very particular style. Jamie and Danielle embody it perfectly. It’s this combination of real-life experiences, but with an almost philosophical distance on it. Their writing has a lot of twists and dark humour. Their writing is fantastic for an actor, Niamh for example is so complex and enigmatic. You are always on that edge of as what is really going on; is this happening, is this a joke? I don’t know how they achieve it, but it’s the consistency of the writing all the way through which is impressive.
If you had to sum up The Tourist in a few words what three words would you use?
Beautiful, quirky and dark.
Mark McKenna – Fergal McDonnell
Tell us about Fergal?
Fergal is very much so different from any character I’ve played in the past, which is a very welcomed challenge. It makes my job a lot more interesting and fun. And it’s been fun trying to work out the character as we go. I feel like the first week or so of shooting was very much kind of cementing who he is as a character and that was a very enjoyable experience for me.
Do you have any ways in which you relate to your character?
I feel like everyone goes through it. He’s very much a character who doesn’t know his place in the world and he’s trying to figure that out and I feel like everyone goes through that at a (?) phase of their life. I hope I’m through that phase at this point but on that level I relate to him or have in the past anyway.
How does Fergal initially react to Elliot?
Fergal is very much infatuated by Elliot, I suppose, or the idea of Elliot’s amnesia. I think it’s almost like a case study to Fergal. I suppose that he’s trying to figure out exactly what it is that Elliot’s going through. I think it’s just one of those things where he knows what amnesia is, but he’s never met anyone with it. So, he’s just kind of obsessed with the idea of it and he’s trying to get to the bottom of what that’s like.
Are you familiar with all the locations you’ve filmed in? What was your favourite spot?
Most of the locations we filmed in, or I filmed in, have been the Wicklow Mountains. Where, prior to filming I hadn’t spent much time there. One of the locations there was a set on Vikings as well I believe, and I think it’s like a man-made lake of some sort but I’m not sure what the full story behind it is, but it was a very nice location.
Why did you want to be involved in the second series?
The general tone of the show was very appealing to me. As an actor, Fergal was very fun and very interesting to me. I think anything I ever move on to or work on, my goal is to always play with what I find to be the more interesting characters. I’m not very concerned with being on a poster or being high up on a call sheet. I think whatever I find to be the most interesting character is always what I gravitate towards. I think with this script, Fergal, to me was very much the most interesting character so it was definitely something that I wanted to chase, and I feel very lucky to be a part of it.
What do you hope audiences will take away from this series?
The connection of what ties you to the earth and familial connections and then being more appreciative of those around you and what you have. I think the series kind of highlights someone who had a life that they didn’t necessarily lose but they forgot and the kind of desperation of getting that back, and I think it’s nice to take in those things a bit more before you maybe forget them one day.
What do you think makes Jack and Harry Williams’ writing so unique and exciting for actors?
I think for Jack and Harry’s writing, again it’s just the tone. I think as an actor to be able to be in a world that’s so dramatic and there’s a very human quality to every character but it’s still at times a little bit ridiculous which is a nice balance. It’s never too full-on and remains a drama series that’s also quite funny.
Francis Magee – Frank McDonnell
Can you describe Frank McDonnell’s character?
Frank is the patriarch of Clan McDonnell. He’s cool, and by cool I mean cold. He’s ruthless. But he’s not a thug or anything, he doesn’t raise his voice, he has no need to. He likes a fine whiskey and a fine wine.
What’s it been like playing Frank?
I’ve enjoyed it. I like his calmness and his stillness. But you still wouldn’t want to get on the wrong side of him.
Do you find that you can relate to your character?
Yes, I do, as an actor you have to also find some empathy with whatever character you play. At times I wish I was like Frank in certain ways. I wish I could be as calm and still as him.
Do you enjoy playing a bad guy and how does it compare to your other roles?
I guess I do and lucky too as I seem to get a lot of those roles. It’s fun to play the bad guy.
Why did you want to join the second series of The Tourist?
Well, I was sent the scripts and instantly liked them.
Did you enjoy filming in Dublin? Tell us about some of your favourite filming spots?
I always have a nice time when I shoot in Dublin. My favourite location so far on this has been outside of Dublin, at the distillery where they make Kilbeggan whiskey. There is all this old machinery, that kind of Heath Robinson kind of pipes and steam, and the smells of the old whiskey is great.
How has it been working alongside the talented cast?
It’s been very wonderful working alongside everyone. I was on a job with Jamie, just before lockdown. We didn’t have scenes together, but I liked him very much, he’s a nice man. Everyone has been friendly, it’s been a nice gig with some tremendously talented people.
What can audiences expect from the second series?
Well, you’re going to get a tale with a lot of twists and turns and you’re going to get a thriller with some dark comedy thrown in. I think genuinely audiences will be guessing right until till the end and that’s why you should tune in.
Can you share one word to summarise the second series of The Tourist?
Rollercoaster.